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Resume
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Remo Campopiano
| | | | EDUCATION | | 1978-1980 | | Cranbrook Academy of Art, Bloomfield Hills, MI MFA, Sculpture | | 1974-1978 | | Southeastern Massachusetts University, North Dartmouth, MA BFA, Sculpture & Photography |
| | | | EXHIBITIONS | | | 2003 | | Complexity, The Federal Reserve Gallery, Federal Reserve Building, Washington, DC, (Eight-Bit Ant Farm in collaboration with Guy Marsden & Jon Schull) The Mills Gallery, Boston Center for the Arts, info@blah: overload and organization, (Eight-Bit Ant Farm) | | 2002 | | Complexity, Dorsky Museum, New Paltz, NY (Eight-Bit Ant Farm in collaboration with Guy Marsden & Jon Schull) Convergence 2002, Providence, RI (Race of the WaterSpiders) Solo Exhibit: Remo Campopiano: New Projects, Bannister Gallery, RIC, Providence, RI | | 2001 | | Convergence 2001, Providence, RI (Dance of the WaterSpiders) | | | | Boston Cyberarts Festival, Cambridge, MA (Dance of the WaterSpiders) | | 2000 | | DeCordova Annual, DeCordova Museum, (Under the Volcano) | | 0000-1999 | | Convergence XII, Providence, RI (Cement Tree) e-flections@attleboro, Attleboro Museum, Attleboro, MA (Rupture in CyberSpace) | | 1998 | | VRML Minneapolis Sculpture Garden, Walker Art Center, Minneapolis, MN | | 1997 | | PORT: Navigating Digital Culture, List Visual Art Center, MIT, Cambridge, MA | | 1996 | | Land, in collaboration with Robbin Murphy and GH Hovagimyan, 426 Broome Street, NYC, NY | | 1995 | | Visualizing CyberSpace, Curator, 426 Broome Street, NYC, NY | | 1994 | | Art & Cyberspace: Test Drive The Future, at HERE, NY | | 1993 | | Convergence VI, Providence, RI (Six Figures) | | 1991 | | Glam Slam Exhibition, Prince's Nightclub, Minneapolis, MN (Buddha) | | 1990 | | Sugar City, Northern State College, Aberdeen, SD | | 1989 | | Mind/Heart Balance, List Visual Art Center, MIT, Boston, MA Eight McKnight Artists, Traveled to the Tweed Museum, Duluth, MN; Bemidji State University, MN; MCAD Gallery, Minneapolis, MN (Rat-Buddha) Eco-Systems, Contemporary Arts Forum, Santa Barbara, CA (Fishbreeder) | | 1987 | | In-collaboration: Eleven Artists, Bethel College, MN | | 1986 | | MAEP Anniversary Show, Minneapolis Institute of Arts, MN (Bird City) | | 1985 | | Five Jerome Artists, Traveled to: MCAD Gallery, Minneapolis, MN The New Museum, Soho, NY (Plato's Cave) | | 1983 | | Journeys, MAEP, Minneapolis Institute of Arts, MN (Time Room) Three-Person Show, Minnesota Museum of Art, St. Paul, MN | | 1982 | | The 1x1x1 Show, Traveled to Detroit, MI, Saginaw, MI & S. Carolina | | 1979 | | Public Sculpture Competition, Detroit Artists' Market, MI Midwest Exchange Show, Ohio State University, Columbus, OH | | 1978 | | Solo Exhibit: Sculpture & Photography, New Bedford, MA |
| | | | HONORS & AWARDS | | 2002 | | Convergence 2002, CapArts Providence | | 2001 | | Convergence 2001, CapArts Providence | | 1999 | | Convergence XI, CapArts Providence | | 1993 | | Convergence VI, CapArts Providence | | 0000-1990 | | National Endowment for the Arts Fellowship Forecast Public Art Affairs: R&D Stipend Diverse Visions Grant Minnesota State Arts Board Fellowship | | 1989 | | Minnesota State Arts Board Career Opportunities Grant MIT Residency, List Visual Arts Center, MA | | 1998 | | McKnight Foundation Fellowship | | 1996 | | Bush Foundation Fellowship | | 1994 | | Jerome Foundation Fellowship | | | | | | | | COLLECTIONS | | 2002 | | Cement Tree, Seekonk Public Library, Seekonk, MA | | 0000-1992 | | Garden Buddha, The Colombian Consulate, Minneapolis, MN ....Contact Person: Trudy D'Tores, (612) 933-2408 Timeline Book Case, The California Building, Minneapolis, MN ....Contact Person: John Kramer, (612) 788-5551 | | | | m | | | | PERFORMANCES | | 1979 | | Court Jester, Guy Fawkes Ball, Bloomfield Hills, MI Rapids--Confronting Fears, Northern Maine | | 1978 | | Skydiving--Confronting Fears, Gregory, MI Cake Caper, Westport, MA | | 1977 | | Crucifixion--Confronting Fears, Teeter Estate, North Dartmouth, MA |
| | | | PROFESSIONAL ARTISTIC EXPERIENCE | | | 2003 | | Workshop, Making Robots Behave, RISD Museum Gallery talk with curators and artists, Artists as Systems Engineers | | 2002 | | Panel Discussion, Complexity, Dorsky Museum | | 2000 | | Panel Discussion, ArtSmart 2000, RISD | | 1999 | | Guest Speaker, Attleboro Museum, Attleboro MA | | 0000-1997 | | Panel Discussion, The Internet: A New Pedagogical Tool for Art Education, Columbia University Panel Discussion, Art on the Internet, with Stephen Romano, Ebon Fisher, Rose Gonnella, Keen College, NJ Guest Speaker, New England School of Photography, Boston, MA | | 1996 | | Panel Discussion, Art on the Internet, Artists Talk on Art, Soho, NY Guest Speaker, ASCI Cyber Fair, Cooper Union, NYC, NY | | 1995 | | Panelist, Cyber-soho, Soho Arts Festival, NYC, NY Guest Speaker, International Fine Print Dealers Association Inc., NYC, NY Guest Speaker, ASCI Cyber Fair, Cooper Union, NYC, NY | | 1994 | | Panelist, School for the Visual Arts, NYC, NY | | 1993 | | Guest Speaker, University of Minnesota, Mpls. MN | | 1992 | | Guest Speaker, Bethel College, MN Guest Speaker, University of Minnesota, Mpls. MN | | 1991 | | Panelist, Simulation/Stimulation, MCAD, Mpls. MN | | 1990 | | Jerome Travel Grant Juror Guest Speaker, DBAE Conference Artist in Residence, Northern State College, Aberdeen, SD | | 1989 | | Artist in Residence, MIT, Boston, MA | | 1988 | | Artist in Residence, Bethel College, MN | | 1987 | | Guest Speaker, Mid-America College Art Association Conference, MN | | 1984 | | Juror & Guest Speaker, Tweed Museum of Art, Duluth, MN Panelist on "Criteria for Important Art," Jewish Community Center, MN Guest Speaker, St. Paul Artists' Collective, MN | | 1983 | | Guest Speaker, Swain School of Art, New Bedford, MA |
| | | | PROFESSIONAL BUSINESS EXPERIENCE | | 2000-pres | | Founder, Robotics Art Club of New England | | 2000 | | Web-based education development, Session.edu, Soho, NYC | | 1999 | | Web Developer for Booth Contemporary Art. Design and maintain a gallery web site. | | 1999 | | Adjunct Instructor, New England Institute of Technology. At NEIT I taught web site design and Dreamweaver software. | | 1998-1999 | | Instructor, Web Design with FrontPage 98 from Microsoft. Developed and designed the first online course in FrontPage 98. | | 1997-pres | | Web Developer for CapitolArts Providence. Design and maintain a large visual-arts web site and email newsletter. | | 1997-1998 | | Instructor, Intro to VRML (Virtual Reality Modeling Language). Developed and designed the first online course in VRML 2.0. | | 1994-1997 | | Instructor, Intro to the Internet & HTML | | 1994-1999 | | Founder & director of ED-CENTER, an education center dedicated to web-based training. Our mission is to explore the opportunities provided by the Internet in the field of education, while sharing our knowledge as pioneers in the development of Internet art and performance. | | 1996-1997 | | Producer and director of PORT: Navigating Digital Culture, at MIT, a series of live performances on the Internet. Concept: to present the flux of digital culture in the networked environment of the Internet as a two month exhibition at the List Visual Arts Center at MIT. | | 1996-1997 | | Founding Member of the Foundation for Digital Culture, a not-for-profit organization whose purpose is to promote and support digital culture and art on-line. | | 1993-pres | | President and founder of Virtual Real Estate, Inc., developers of artnetweb, a leading visual arts web site and collaborative dedicated to the access and exploration of new technologies for artists. | | 1993 | | January 1, 1993 I moved from Minneapolis to New York City. | | 1991 | | On July 21, 1992, the most important day of my life, my lovely daughter was born, Sofia Amelia Campopiano. | | 1991 | | Development Director for Artifex Alternative Arts Museum. In this temporary position I helped a one-year-old alternative space set up a development program. I organized a Board of Directors, filed for their nonprofit status, organized their bookkeeping, and applied for three grants, which were received. | | 1983-1984 | | Developer of "Criticism & the Art Market," a series of ten monthly articles designed to pull together a historical context for local criticism and a budding art market. These articles lead to a largely-expanded critical dialogue and the blossoming of the Minneapolis Warehouse Gallery District. | | 1984-1987 | | Developer of "Forum," a critical supplement in Artpaper, funded jointly by the Jerome, Bush and Northwest Area Foundation. This program marked the beginning of serious critical dialogue in the Twin Cities' art community. | | 1980-1988 | | Co-founder and development director of the Visual Arts Information Service, publisher of Artpaper. In this position I was responsible for all income--foundation, corporate, earned and inkind. In the first three years we established Artpaper as an integral part of the visual-arts community with news and information and a solid fiscal foundation. |
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